The Gay Parade is indie pop's very own Sgt. Pepper, a richly detailed, grandly ambitious concept record which forgoes the ponderous pretensions the phrase implies to instead...
more >
Hailing from the '90s-resurgent Athens, GA, scene, unofficial home base to the Elephant 6 collective, Of Montreal is perhaps the least publicized band in the Elephant 6...
more >
Of Montreal's 1997 mini-album, The Bird Who Continues to Eat the Rabbit's Flower, stands alone as the Of Montreal album that seems not to be built around a unifying concept...
more >
A continuation and maturation of the playfulness exhibited on earlier releases, Of Montreal create the brand of theatrical psychedelic pop that many of their '60s...
more >
Where previous Of Montreal records evoked children's picture books in their grand narrative scope, off-the-wall characters, and candy-colored hues, Horse & Elephant Eatery...
more >
The latest from Of Montreal is yet another installment of musical montages and '60s-styled whimsy from Kevin Barnes's loose Athens, Georgia-based amalgam. With swirling...
more >
Of Montreal's major voice Kevin Barnes has unparalleled talent to write lyrics that double as relatable adult situations and children's fable. This trend continues on...
more >
From the opening synth handclaps and dual lead guitar harmonies of "Disconnect the Dots," the first song on Satanic Panic in the Attic, you know you are in for a different...
more >
Intended as an "album of singles" in favor of diminishing their normal proclivities toward conceptual grandiosity and musical adventurousness, Aldhils Arboretum marks a...
more >
Kevin Barnes' seventh Of Montreal album continues in his traditional vein of toying and teasing our memories of '60s pop, fed through whichever other fad or fashion most...
more >
